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Bay, Enrico
born: 1925 - 16.06.2003 Vergiate near Milano
The Pop-artist became first of all to their Parisian Antipoden> New
realists< calls, as their factory of 1962 into the new Yorker Sidney
Janis Gallery was issued together. Involved at this showing the American
was Jim Dine, Robert Indiana, Roy Lichtenstein, Claes Oldenburg, James
Rosenquist, George Segal, Wayne Thiebaud, Andy Warhol and Tom Wesselmann,
the English artist Peter Blake, John Latham and Peter Phillips as well
as a big European publication of the banns with Arman, Enrico Baj, Christ,
Öyvind Fahlström, Tano Festa, Raymond grove, Yves Little, Martial
Raysse, Mimmo Rotella Mario Schifano, Daniel Spoerri, ever-at Tinguely,
Per-Olof Ultvedt and different. This first act was a through and through
international manifestation an movement, the first into the review as a
mainly American and- with certain reservations- British phenomenon should
be viewed. The label >New realists< accentuated their resolute argument
with the modern life in his whole banal everyday-ness. Through the late
repression of this concept in favor of the shorter, more succinct designation
"Pop Art" with their echo at popularly-culture and her undertone of an
identification with the new forms of the Popmusik as expression of the
Youth-revolt transferred itself the full of importance of the thematic
area on the a whole specific stand. At all his deficiencies as upper-concept-for
a so heterogeneous Multiplicity of extensions remained to the concept "Pop
Art" nevertheless an usable instrument to the . Designation of a to outside
art turns, that itself full and whole the optics of the big city culture
prescribed, out of the they had forth-gone.
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